The show, which has been played in 35 countries and in five languages, has become an international hit, with tickets regularly selling out. Īs co-founder and original cast member of the hugely popular Puppetry of the Penis show, the 51-year-old has spent the last 20 years manipulating his manhood for the entertainment of the masses. If ABC is looking for a hit series, this is one reality show that could leave “American Idol” in the dust.Australian Simon Morley has made a successful career by quite literally playing with himself. auditions for new penis puppeteers!” The audition sessions must be incredible. The program notes that the show’s Web site offers details on “L.A. Morley & Friend will soon exit the Coronet, to be replaced by a new duo. There are now several companies performing around the globe. He then recruited Friend for a stage show, which hit big at the 1998 Melbourne Comedy Festival and moved to the Edinburgh Fringe Fest, the West End and New York. Morley began doing these configurations for a calendar. It’s contagious: If we can’t laugh at genitals, what can we laugh at? Audiences will laugh they may feel idiotic by doing so, but they’ll laugh anyway. “Thank you all for laughing at our genitals,” Morley says cheerily at the end, and the sentiment sums up the evening.īefore the show begins, audience members may get the same sheepish feeling as when they are renting a porno tape (I hope I don’t run into anybody I know!), but it’s hard to resist the performers’ good-natured silliness. ![]() It’s a one-joke premise, but the two shape the material (so to speak) so that it’s never boring. Friend is the more boisterous, a real “laddie.” Simon is more genteel (well, if you consider standing onstage naked and blowing on your penis as if it were a didgeridoo to be genteel). Highlights include Morley’s Loch Ness Monster and Friend’s baby bird.īoth puppeteers are Aussies in their mid-30s. When Friend, for example, transformed his privates into various pieces of fried chicken, at least one audience member was heard to stare at the folds of flesh and laugh, “What is that, exactly?”īut the majority of the routines gain laughs. But, Friend intones with mock solemnity, “None of these tricks hurt us at all - because we are professionals!”Ī handful (so to speak) of tricks involve so much manipulation that it’s obvious what is being depicted, even if it’s not clear exactly which appendages are being used. Morley evokes groans by inserting his member into a wooden stick (to depict a squirrel) or by stretching everything to resemble a windsail. In all, there are about 40 “dick tricks,” as they call them.Ī few rate high on the wince-factor. The two stand on either side of the stage, with microphones, while every little tweak and tuck are shown in gigantic closeup on a big-screen monitor that fills the back wall of the stage. Morley and Friend then arrive for their hour of power. The show begins with a 20-minute standup routine by Alexandra McHale, or as she calls herself, “the official fluffer of the show.” McHale touches on familiar turf for a comic - dieting, TV commercials, body functions - but her one-liners are often original, and her funny session sets the tone for the show: sassy, off-color, but never crude. Only time will tell if “Puppetry” creators-stars Simon Morley and David Friend are given a similarly exalted state in the history of legit oddities. ![]() As talents go, this was not a great one, but as novelty performer, he was in the Pantheon. ![]() About a century ago, there was a European vaudeville artist named Le Petomaine, who gained fame by farting out musical tunes.
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